A lost LP from John Coltrane that only exists thanks to Coltrane’s producer, Bob Thiele, who allowed the saxophonist to take home a ¼” reel-to-reel reference tape of the session.
John Coltrane and his classic quartet – pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones — had just finished a two-week engagement playing at New York’s Birdland venue when they went into Van Gelder Studio with Bob Thiele during the week beginning 4 March 1963. The first session, held on Wednesday, 6 March, yielded the seven pieces that make up Both Directions At Once, while, during a session held the following day, Coltrane returned to the studio to record with singer Johnny Hartman. That latter session was released as the Impulse! album John Coltrane And Johnny Hartman, but the previous day’s recording was, for unknown reasons, shelved.
The album has seven tracks, three of which are new, previously unknown, Coltrane compositions. None of them were given titles by Coltrane – ‘Slow Blues’ is a purely descriptive title, while the others are identified by their original record company matrix numbers (‘Untitled Original 11383’ and ‘Untitled Original 11386’). ‘Slow Blues’ features Coltrane on tenor sax and is notable for the absence of McCoy Tyner, who also drops out on an eerie cover of ‘Nature Boy’ (a jazz standard that the saxophonist would record again, albeit differently, in 1965). The two untitled songs are exploratory modal pieces that spotlight Coltrane on soprano saxophone.
Already familiar to Coltrane fans is one of his signature pieces, ‘Impressions’, which he first recorded in 1962 (and which became the title track of his second Impulse! album, released in July 1963). This unreleased version is shorter, has no piano, and thus is markedly different. Like ‘Impressions’, ‘Vilia’, a jazz deconstruction of a song from Frank Lehár’s 19th-century operetta The Merry Widow was first popularised by swing clarinettist Artie Shaw, is familiar to some Coltrane fans (it first appeared on a 1965 various-artists compilation on Impulse!) but the version on the lost album, with Trane on tenor sax, has never been heard before. The album’s curtain-closer is the only known studio recording of ‘One Up, One Down’, a piece that had only previously existed in live form on a bootleg recording.
Untitled Original 11383’
‘Untitled Original 11386’
‘One Up, One Down’