“Inner City Review” by George Semper is the latest release to land on Gilles Peterson’s Arc label, the first full re-issue of the songwriter and musician’s ultra rare 1973 compilation.
A1. Goody Goody Gumdrops – Jimmy Hayes
A2. Cold Blooded Woman – Lewis Flournoy
A3. You’re So Good To Me – The Love Affair, Troy Raglin
A4. That’s The Way It Is – Lewis Flournoy
A5. Let’s Live and Let’s Live – Lewis Flournoy
B1. Got To Find A Way To Make Some Money – The George Semper Orchestra B2. Cosmic Funk – The George Semper Orchestra
B3. Queen For A Day – Jimmy Hayes
B4. Never In My Life – The Love Affair, Troy Raglin
A songwriter and studio musician behind troves of soul, rock and R&B records from the late ‘50s onwards,this comp shines a fresh light on Semper’s influential behind-the-scenes role. He was the creative force behind Hammond organ classic “Makin’ Waves”, the cult 1977 Bay Area funk record “The Perfect Circle”, and a collaborator with the likes of Donny Hathaway, Jimmy Smith and Brenton Wood. It’s the third release on the “reissues and oddities” imprint launched last November by Peterson.
On “Inner City Review”, Semper is backed by his killer “The” George Semper Orchestra players comprised of the core Merry Clayton band members, as a showcase for their distinctive cosmic funk sound (including two of only three tracks credited to them as a standalone group), featuring drummer Ollie Brown, who would later work with the likes of Minnie Ripperton, The Temptations and Stevie Wonder. Originally released on the obscure SECO Records Hollywood label, only 100 copies were pressed. Gilles bought the record some years ago at Groove Merchants in San Francisco, but only recently posted it on Instagram where it was spotted by George Semper’s son and archivist Joel S. Brockman. The record has been re-mastered directly from the original analogue tapes, and includes new sleeve notes from Brockman. A multi-instrumentalist, composer and producer, acclaimed for his innovative funky organ sound, Semper’s Hammond-playing style was an influence on The Doors and The Rolling Stones. His career saw him cross paths with the likes of Charles Stepney, and – as the co-owner of several influential San Diego venues – presented Frank Zappa’s first professional show, booking him to open for Little Richard and Jimi Hendrix.
The record features a stellar cast of vocalists, spanning from the then established Jimmy Hayes (of The Persuaders), who graces the uptempo ‘Goody Goody Gumdrops’ and plaintive ‘Queen For A Day’, to the Semper-discovered Lewis Flournoy (aka Robinhood), Flouroy’s stunning, graceful falsetto first featured on a Semper’s 45 by Capitol Records – the the B Side of that 45 “Let’s Live and Let Live” (Extended Version) is on ‘Inner City Review.’ These entries are some of the only material Flouroy ever recorded all co-written with Semper and Basey Green. Likewise, Troy “Troiel” Raglin, who features in “The Love Affair” on two romantic soul entries co-written with Semper and Marshal McQueen Jr., was a Semper collaborator who went on to lead the wildly successful Spaceark band three years later. Marshall McQueen, Jr. who wrote the track “You’re So Good To Me” recently passed in April 2020. He’s most known as writer of Miles Graysons “Stuck In The Mud” but has thousands of compositions and is popularly known.
Recorded after a formative stint in Las Vegas, where Semper backed the likes of Ray Charles, James Brown and Sammy Davis Jr, “Inner City Review” opened the door for his later work with his Inner City Records label. It was through his years in Vegas that he met some of the players who would go on to feature on the record, including tenor sax player David ii Majall (Parliament, SOS Band, Pointers Sisters) and bass percussionist Basey Green (Nancy Wilson, Carol King, Charles Wright & The Watts, 103rd Street Rhythm Band, Pure Funk).
An independently-produced and recorded album, in keeping with Semper’s many other small-run private pressed records, Semper used his day-job as a musician to get precious studio time, bagging time in the A&M Hollywood lot for the album’s recording sessions. (At the time, he was playing with Merry Clayton, a singer who – after her solo career declined – became a backing singer and would go on to feature in the 2013 film 20 Feet From Stardom.)
An all-killer, rarely heard collection of music, documenting an important moment in Semper’s career, as he laid the foundations for the independent-minded Inner City Records label, as well as the game-changing Bay Area funk sound that has made “The Perfect Circle” a sought after cult classic.